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Admission Test Section One : Verbal GRE-Verbal Prüfungsfragen mit Lösungen:

1. For absolute dating of archeological artifacts, the radiocarbon method emerged during the latter half of
the twentieth century as the most reliable and precise method. The results of obsidian (volcanic glass)
dating, a method based on the belief that newly exposed obsidian surfaces absorb moisture from the
surrounding atmosphere at a constant rate, proved uneven. It was initially thought that the thickness of
the hydration layer would provide a means of calculating the time elapsed since the fresh surface was
made. But this method failed to account for the chemical variability in the physical and chemical
mechanism of obsidian hydration. Moreover, each geographic source presented unique chemical
characteristics, necessitating a trace element analysis for each such source. Yet despite its limitations,
obsidian dating helped archeologists identify the sources of many obsidian artifacts, and to identify in turn
ancient exchange networks for the flow of goods. Nor were ceramic studies and fluoride analysis
supplanted entirely by the radiocarbon method, which in use allows for field labeling and laboratory errors,
as well as sample contamination. In addition, in the 1970s, dendrochronological (tree-ring) studies on the
bristlecone pine showed that deviation from radiocarbon values increases as one moves back in time.
Eventually calibration curves were developed to account for this phenomenon; but in the archeological
literature we still find dual references to radiocarbon and sidereal, or calendar, time.
The author would probably consider which of the following the LEAST likely means of dating
archeological artifacts?

A) Fluoride analysis
B) Obsidian hydration-layer analysis
C) Radiocarbon dating
D) Ceramics studies
E) Dendrochronological studies

2. The origin of the attempt to distinguish early from modern music and to establish the canons of
performance practice for each lies in the eighteenth century. In the first half of that century, when
Telemann and Bach ran the collegium musicum in Leipzig, Germany, they performed their own and other
modern music. In the German universities of the early twentieth century, however, the reconstituted
collegium musicum devoted itself to performing music from the centuries before the beginning of the
"standard repertory," by which was understood music from before the time of Bach and Handel. Alongside
this modern collegium musicum, German musicologists developed the historical sub-discipline known as
"performance practice," which included the deciphering of obsolete musical notation and its transcription
into modern notation, the study of obsolete instruments, and the re-establishment of lost oral traditions
associated with those forgotten repertories. The cutoff date for this study was understood to be around
1 750, the year of Bach's death, since the music of Bach, Handel, Telemann and their contemporaries did
call for obsolete instruments and voices and unannotated performing traditions-for instance, the
spontaneous realization of vocal and instrumental melodic ornamentation. Furthermore, with a few
exceptions, late baroque music had ceased to be performed for nearly a century, and the orally
transmitted performing traditions associated with it were forgotten as a result. In contrast, the notation in
the music of Haydn and Mozart from the second half of the eighteenth century was more complete than in
the earlier styles, and the instruments seemed familiar, so no "special" knowledge appeared necessary.
Also, the music of Haydn and Mozart, having never ceased to be performed, had maintained some kind of
oral tradition of performance practice. Beginning around 1960, however, early-music performers began to
encroach upon the music of Haydn, Mozart, and Beethoven. Why? Scholars studying performance
practice had discovered that the living oral traditions associated with the Viennese classics frequently
could not be traced to the eighteenth century and that there were nearly as many performance mysteries
to solve for music after 1750 as for earlier repertories. Furthermore, more and more young singers and
instrumentalists became attracted to early music, and as many of them graduated from student- amateur
to professional status, the technical level of early-music performances took a giant leap forward. As
professional early-music groups, building on these developments, expanded their repertories to include
later music, the mainstream protested vehemently. The differences between the two camps extended
beyond the question of which instruments to use to the more critical matter of style and delivery. At the
heart of their disagreement is whether historical knowledge about performing traditions is a prerequisite
for proper interpretation of music or whether it merely creates an obstacle to inspired musical tradition.
Which of the following is the most appropriate title for the passage?

A) "Performance Practice: The Legacy of the German Collegium Musicum"
B) "How Far Should Early Music Extend?"
C) "Competing Views on the Necessity of Historical Knowledge for Inspired Musical Tradition"
D) "Performance Practice and New Interpretations of the Viennese Classics"
E) "Unannotated Performing Traditions of the Eighteenth and Twentieth Centuries"

3. DRIP : GUSH

A) bend : angle
B) cry : laugh
C) stream : tributary
D) dent : destroy
E) curl : roll

4. In nearly all human populations, a majority of individuals can taste the artificially synthesized chemical
phenylthiocarbonide (PTC). However, the percentage varies dramatically-from as low as sixty percent in
India to as high as ninety-five percent in AfricA. That this polymorphism is observed in non-human
primates as well indicates a long evolutionary history which, although obviously not acting on PTC, might
reflect evolutionary selection for taste discrimination of other, more significant bitter substances, such as
certain toxic plants. A somewhat more puzzling human polymorphism is the genetic variability in earwax,
or cerumen, which is observed in two varieties. Among European populations, ninety percent of
individuals have a sticky yellow variety rather than a dry, gray one, whereas in northern China these
numbers are approximately the reverse. Perhaps like PTC variability, cerumen variability is an incidental
expression of something more adaptively significant. Indeed, the observed relationship between cerumen
and odorous bodily secretions, to which non-human primates and, to a lesser extent humans, pay
attention suggests that during the course of human evolution genes affecting body secretions, including
cerumen, came under selective influence.
It can be inferred from the passage that human populations vary considerably in their

A) vulnerability to certain toxins found in plants
B) sensitivity to certain bodily odors
C) ability to assimilate artificial chemicals
D) ability to discern bitterness in taste
E) capacity for hearing

5. QUARRY : MARBLE ::

A) ocean : tuna
B) observatory : stars
C) well : oil
D) silo : grain
E) reservoir : water

Fragen und Antworten: